Unfortunately my original hazel, cut from a deep and old wood in the states when I was a young man, has gone missing. But then there are some things for which only a hazel wand will do the job properly. In its stead I have been using a very nice rowan wand I constructed about a year after I arrived in London, which works for most situations and is particularly adept at landscape magics. It so happens that I had long held off on making myself a second hazel wand, my first being in storage in the US and something I had used for decades - though not seen in years. The perfect length for tracing a circle on the ground without bending over. Approximately three feet long (four spans) though tailored exactly to the body of its owner. I myself prefer a length that is the distance from one’s nose when looking straight ahead to the tip of one’s fingers. The length of the wand varies from culture to culture and use to use. Because like a parachute your life may hang in the balance of your wand having been made in an exacting process that I would personally never trust to something I bought online or in a shop. But at each point where you would shirk the necessary steps it is only in reminding yourself that the tool you make may save your life that you push on, doing every little bit that is needed to make it as strong as possible. On the whole its a bothersome process messy, meticulous, exacting and often tiresome. It is a very necessary tool in the arsenal of witch and wizard alike, found throughout history in the practice of magic.

And while many many sticks that have been nicely polished, often having had some baubles attached to them, are for sale from a variety of vendors they are not in any practical way a wand.Ī wand must be cut by the practitioner themselves directly from the tree, must be worked to shape by the practitioner’s hands, tooled by the practitioner’s blade. Having lived in London for over a decade I can assure you that there is no Ollivanders in which to purchase a finished wand. It takes more than a month of near daily work, invariably leads to both accidental and purposeful blood spill, not to mention all the mess. It is a rather long process, with lots of detailed steps, none of which can be skipped. It is a matter of fact that properly making a wand is a pain in the ass.

“The magical rod is the verendum of the magus it must not even be mentioned in any clear and precise manner no one should boast of its possession, nor should its consecration ever be transmitted except under the conditions of absolute discretion and confidence.” - Eliphas Levi, “Dogme et Rituel de la Haute Magie” (1856)

The art of wand work